This is a lovely book – with iron on transfers at the back. It covers making a journal and embellishing it. I have plans to make a journal and include things (and people) that are important to me.
The Sewwitty family having breakfast
Above is one of the designs that I am going to use on one of my pages.
This book has beautiful photography and the instructions are very clear. It has a lovely vintage aesthetic, and Jessie encourages you to use things you already have or thrift store purchases.
It’s a project book she leads you through creating a four seasons journal.
Jessie creates the book first and then embellishes the pages. But that means you have to be careful to not go through both pages when embellishing and that sounds a bit too hard for me. So I think I will make my pages and then turn them into a book.
I love this poem – this is the one I am planning on sending to the exhibition. Now I just have the rest of the year to finish! Not to mention this year.
I follow Kate on Instagram so, obviously, I had to read this – and then it was given to me as a gift. Perfect!
Here’s the blurb …
A unique portrait of Victorian life, hidden figures and Empire, told through one woman’s textile scrapbook.
In 1838, a young woman was given a diary on her wedding day. Collecting snippets of fabric from a range of garments – some her own, others donated by family and friends – she carefully annotated each one, creating a unique record of their lives. Her name was Mrs Anne Sykes.
Nearly two hundred years later, the diary fell into the hands of Kate Strasdin, a fashion historian and museum curator. Using her expertise, Strasdin spent the next six years unravelling the secrets contained within the album’s pages.
Her findings are remarkable. Piece by piece, she charts Anne’s journey from the mills of Lancashire to the port of Singapore before tracing her return to England in later years. Fragments of cloth become windows into Victorian life: Pirates in Borneo, the complicated etiquette of mourning, poisonous dyes, the British Empire in full swing, rioting over working conditions and the terrible human cost of Britain’s cotton industry.
This is life writing that celebrates ordinary people: not the grandees of traditional written histories, but the hidden figures, the participants in everyday life. Through the evidence of waistcoats, ball gowns and mourning outfits, Strasdin lays bare the whole of human experience in the most intimate of mediums: the clothes we choose to wear.
I was amazed that Anne (and her husband Adam) lived in Singapore for several years and Shanghai (in China). How intrepid. A huge amount of research went into this book – trying to find information about Anne and her acquaintances; letters, census records, passenger manifests, etc. Along with that, there is information about textiles; producing cotton, printing cotton, social history; mourning conventions, laundering methods; the advent of aniline dyes (and the terrible deaths from arsenic poisoning).
I found it thoroughly fascinating. Anyone with an interest in history, textiles, women’s history will enjoy this book.
When I finished Clue 2 of the Goff Place Mystery Shawl, I needed a bit of a palette cleanser (shall we say) and I returned to my first love – knitting socks.
The yarn is from Temu – Artknock Cotton Socks Yarn (80% Acrylic and 20% Cotton – I thought there was way more cotton). It’s probably more of a 5 ply.
The pattern
Multiple of 6 (I don’t know why I selected 6, given that my socks normally have 64 stitches)
Round1: *K5, Sl1 pwise* Repeat for the whole round
I am enjoying this project. I am using different fibres and colours. I bought some fibres from the Thread Studio and Temu plus I am using some of my (substantial) yarn stash.
I am just tidying up the loose threads at the moment. Then I will work on the roots.
